site/blog/death-stranding-review-2019-11-11.markdown

---
title: Death Stranding Review
date: 2019-11-11
series: reviews
tags:
 - kojima
 - video-game
 - what
---

# Death Stranding Review

NOTE: There's gonna be spoilers here. Do not read if you are not okay with this.
For a summary of the article without spoilers, this game is 10 out of 10 game of the
year 2019 for me.

I have also been playing through this game [on
twitch](https://twitch.tv/princessxen) and have streams archived
[here](https://xena.greedo.xeserv.us/files/kojima_unchained).

There's a long-standing rule of thumb to tell fiction apart from non-fiction.
Fiction needs to make sense to the reader. Non-fiction does not. [Death
Stranding](https://en.wikipedia.org/wiki/Death_Stranding) puts this paradigm on
its head. It doesn't make sense out of the gate in the way most AAA games make
sense. 

In many AAA games it's very clear who the Big Bad is and who the John America
is. John America defeats the Big Bad and spreads Freedom to the masses by force.
In Death Stranding, you have no such preconceptions going into it. The first few
hours are a chaotic mess of exposition without explanation. First there's a
storm, then there's monsters, then there's a baby-powered locator, then you need
to deliver stuff a-la fetch quests, then there's Monster energy drinks, and the
main currency of this game is Facebook likes (that mean and do absolutely
nothing).

In short, Death Stranding doesn't try to make sense. It leaves questions
unanswered. And this is honestly so refreshing in a day and age where entire
plot points and the like are spoiled in trailers before the game's release date
is even announced. Questions like: what is going on? Why are there monsters?
What is the point of the game? Why the hell are there Monster energy drinks in
your private room and canteen? Death Stranding answers only some of these over
the course of gameplay.

The core of the gameplay loop is delivering cargo from point a to point b across
a ruined America after the apocalypse. The main character is an absolute unit of
a lad, able to carry over 120 kilograms of cargo on his back. As more and more
cargo stacks up you create these comically tall towers of luggage that make
balancing very difficult. You can hold on for balance using both of the shoulder
buttons. The game maps each shoulder button to an arm of the player character.
There's also a stamina system, and while you are gripping the cargo your stamina
regenerates much more slowly than if you weren't doing that.

The game makes you deliver almost everything you can think of from medical aid
to antimatter bombs. The antimatter bomb deliveries are really tricky because of
how delicate they are. If you drop the antimatter bomb, it explodes and you
instantly game over. If you hit a rock while carrying an antimatter bomb, it
gets damaged. If it gets damaged too many times it explodes and you die. If it
gets dropped into water it explodes and you die. And you have to carry the
suckers over miles of terrain and even mountains.

This game handles scale very elegantly. The map is _huge_, even larger than
Skyrim or Breath of the Wild. You are the UPS man who delivers packages,
apocalypse be damned. This game gives you a lot of quiet downtime, which really
lets you soak in the philosophical mindfuck that Kojima cooked up for us all. As
you approach major cities, guitar and vocal music comes in and the other sound
effects of the game quiet down. It overall creates a very sobering and solemn
mood that I just can't get enough of. It seems like it wouldn't fit in a game
where you use your own blood to defeat monsters and drink _monster energy_ out
of your canteen, but it totally does.

There is some mild product placement. Your canteen is full of Monster energy
drink. Yes, that Monster. Making the player defecate shows you an ad for an AMC
show. There's also monster energy drinks in your safe room that increase your
max stamina for a bit. I'm not entirely sure if the product placement was chosen
to be there for artistic reasons (it's surreal as all hell and helps to
complement the confusing aspects of the game), but it's very non-intrusive and
can be ignored with little risk.

This game also has online components. Every time you build a structure in areas
linked to the chiral network, other players can use, interact with and upgrade
them so they can do more things. Other players can also gives you likes, which
again do nothing. Upgrading a zipline makes it able to handle a larger distance
or updating a safe house lets you play music when people walk by it. It really
helps to build the motif of rebuilding America. There is however room for people
to troll others. Here's [an example of
this](https://twitter.com/Brad_barnaby/status/1193084242743312384). There's a
troll ladder to nowhere. There's a lot of those laying around mountains, so be
on your guard.

Overall, Death Stranding is a fantastic game. It's hard. It's unforgiving. But
the real thing that advances is the skill of the player. You make the
deliveries. You go the distance. You do your job as the post-apocalyptic UPS man
that America needs.

![UPS Simulator 2019](/static/img/ups-simulator-2019.jpg)

By [mmmintdesign](https://twitter.com/mmmintdesign) [source](https://twitter.com/mmmintdesign/status/1192856164331114497)

Score: 10 out of 10  
Christine Dodrill's Game of the Year 2019