The Stanley Parable #6
|
@ -0,0 +1,105 @@
|
|||
---
|
||||
title: "The Stanley Parable: Ultra Deluxe Review"
|
||||
date: 2022-07-25
|
||||
series: reviews
|
||||
---
|
||||
|
||||
Every so often a game comes around that is genuinely hard to review. Especially
|
||||
when you are trying to avoid spoiling the magic of the game in that review. This
|
||||
is a game that is even harder to review than normal because it's an absolute
|
||||
philosophical document. This game absolutely riffs at the games industry super
|
||||
hard and it really shows. I'm going to try to avoid spoilers in this article,
|
||||
except for a few I made up.
|
||||
|
||||
<xeblog-conv name="Cadey" mood="coffee">I was going to include screenshots in
|
||||
this article, but it's difficult for me to get them without spoiling the subtle
|
||||
comedy at hand, so I'm going to leave this as a text-only review.</xeblog-conv>
|
||||
|
||||
The Stanley Parable: Ultra Deluxe is either the second or third game in the
|
||||
series. At first this game was a Half Life 2 mod that came out of nowhere and
|
||||
was one of the most beloved mods ever released. Then they made it a proper game
|
||||
on the Source engine and expanded it a bit. After a while they wanted to
|
||||
continue the parable and expand it even more, but they weren't able to get it on
|
||||
consoles with it still being a Source engine game. So they ported it to Unity
|
||||
and the end result is The Stanley Parable: Ultra Deluxe. It is one of my
|
||||
favorite games of all time.
|
||||
|
||||
It is a deeply limited game, you only can move around and interact with things.
|
||||
The story is about an office drone named Stanley that pushes buttons based on
|
||||
instructions from his computer. The big thing that this game does though is make
|
||||
you realize the inherent paradoxes in its own design.
|
||||
|
||||
<xeblog-conv name="Mara" mood="happy">Being limited like this is not actually a
|
||||
bad thing like the phrasing would imply. It just means that the main focus of
|
||||
the game is not on the micro actions the player can take. In this case the main
|
||||
focus is on what the player can do with the story and not what the player can do
|
||||
with their controller.</xeblog-conv>
|
||||
cadey marked this conversation as resolved
|
||||
|
||||
Endings that make you look like you had exercised your free will actually boil
|
||||
down to your actions being controlled by following the narrator's voices. This
|
||||
is absolutely taking the piss out of how most modern AAA game design works,
|
||||
guiding you with an invisible hand and making it _seem_ like you had the free
|
||||
will to choose what was going on when in fact you were really just following the
|
||||
invisible guidance the whole time.
|
||||
|
||||
However I think one of the best examples of how The Stanley Parable riffs at
|
||||
mainstream game design is via the Adventure Line™️ that shows up in one branch of
|
||||
the game. The Line™️ is an obvious riff on games like Dead Space where you can
|
||||
summon a line to tell you where to go at any time. It shows how _boring_ modern
|
||||
game design is by making you _see_ the consequences of it. If you follow the
|
||||
narrator's voice, you get boring endings.
|
||||
|
||||
In many modern AAA games, you have the free will to choose to follow the main
|
||||
story and finish all the quests or whatever, but not much else. Consider Call of
|
||||
Duty or Battlefield. You are John America and you have to kill the enemies to
|
||||
death before they kill you to death by throwing bullets at you. You get to the
|
||||
end of the level and blow up the brown people some more or something and then
|
||||
it's suddenly a victory for America. But what did you really accomplish? You
|
||||
just followed the line. Walk outside of the intended playable area? 10 second
|
||||
timer until the game kills you. Shoot a person with the wrong skin color? The
|
||||
game kills you.
|
||||
|
||||
<xeblog-conv name="Numa" mood="delet">I used to be an adventurer like you until
|
||||
I took an arrow to the knee! Get it? It's because "taking an arrow to the knee"
|
||||
meant "getting married" because being married in Norse times (because Skyrim's
|
||||
Nord are basically LARP vikings) really handicapped your ability to move around
|
||||
freely, and in those times an arrow injury was basically guaranteed to be fatal
|
||||
so it can't be literal (if only because there's so many guards with knee
|
||||
injuries walking around effortlessly which is...unlikely at best).</xeblog-conv>
|
||||
cadey marked this conversation as resolved
openskies
commented
I don't understand how this paragraph connects to the narrative of this post or how it improves the post by its existence. I don't understand how this paragraph connects to the narrative of this post or how it improves the post by its existence.
|
||||
|
||||
However in The Stanley Parable you can defy the narrator and that's where the
|
||||
game really opens up. It's great to get in the area where the game is unfinished
|
||||
and then have the narrator complain about deadlines, scheduling delays, investor
|
||||
funding and them wanting to avoid having to stuff it to the gills with
|
||||
microtransactions. You can legitimately glitch your way out of bounds and then
|
||||
the game will reward you with a new ending you didn't know was possible. The
|
||||
game takes the concept of the illusion of free will and plays with it.
|
||||
|
||||
The game makes you think about what games _can_ be. It makes you wonder if the
|
||||
potted plant soliloquy after the broom closet ending speaks to the mental state
|
||||
cadey marked this conversation as resolved
openskies
commented
OH, DID U GET THE BROOM CLOSET ENDING? THEB ROOM CLOSET ENDING WAS MY FAVRITE!1 XD OH, DID U GET THE BROOM CLOSET ENDING? THEB ROOM CLOSET ENDING WAS MY FAVRITE!1 XD
|
||||
of the author more than anything. Of all of the artistic endeavors that games as
|
||||
a medium _can_ have, we end up seeing very few or none of them in mainstream
|
||||
gaming. Sure you get your occasional 4k120fps robot killer waifu with a bow and
|
||||
a whacky stick, but none of it really _revolutionizes_ video games as an art
|
||||
form. It's all just derivative of the generic "unalive bad guy and save earth"
|
||||
trope.
|
||||
|
||||
<xeblog-conv name="Mara" mood="hacker">If you want some games that really
|
||||
revolutionize what games can be, check out
|
||||
[Celeste](https://mattmakesgames.itch.io/celeste), [Secret Little
|
||||
Haven](https://ristar.itch.io/secret-little-haven), [Baba Is
|
||||
You](https://hempuli.itch.io/baba), and [Glittermitten
|
||||
Grove](https://twinbeard.itch.io/glittermitten-grove). All of these games really
|
||||
challenge what games can be and experiment with radically different kinds of
|
||||
art. You never will see mainstream games be as risk-taking as this because art
|
||||
is fundamentally risky and capitalism wants line to go up, so they go out of
|
||||
their way to make sure that mainstream games are as safe and likely to sell many
|
||||
copies as possible.</xeblog-conv>
|
||||
|
||||
I made up the thing about the potted plant, but if you had played the game then
|
||||
you'd probably have started the game up to look for it just to see what was
|
||||
there. I wonder if I made someone stand at that potted plant for like 5 minutes
|
||||
or something. This game sparks creativity in ways that other mainstream games
|
||||
just fundamentally don't. If you've been looking for something different in your
|
||||
video game diet, I really suggest you give it a try. Go in as blind as possible.
|
||||
I'm not paid in any way to say this, I genuinely think this is really good.
|
Loading…
Reference in New Issue
The preceding two paragraphs don't express their point very well
some possible phrasing changes are
Mechanically, it is a deeply limited game; you can only move around and interact with things. There aren't even very many interactible objects. The story is about an office drone named Stanley that pushes buttons based on instructions from his computer. The big thing that this game does is explore the paradoxes inherent in its own design.
Being mechanically limited like this is not actually a bad thing like the phrasing might imply. This means that the main focus of the gameplay is not on the micro actions the player can take. In this case the main focus is on how the player interacts with the story and not how the player interacts with their controller or puzzles or tactics. Additionally, the mechanical limitations of the gameplay are thematically aligned with the story's premise of being an office drone in ways it can play with.